This work is a rectangular color lithograph on brown paper. It depicts a scene of a man riding a horse and people following in a horse-drawn carriage. The shapes are defined and textured with thin lines, and they are given...
"Un rendez vous, c'est peut être de la petite Mme Giraud!..... oui... mais c'est peut être de son mari qui veut me pincer et me flanquer une volée." no. 8 from the series Coquetterie. Published by Chez Bauger et Cie. Printed by...
Jean Arp (1886-1966). French/German artist. and This work is a rectangular color lithograph comprised primarily of neutral colors. The background of the work is gray. There is one large black circle near the bottom of the...
This print, Interior Rouge is the 119th of a 120 print series by Gustave Singier. This print does not have overlapping shapes or colors, they are sectioned off almost like a quilt. The primary colors present are warm with...
Lithograph by Pierre-Auguste Renoir, titled La pierre au trois croquis (The Stone with Three Sketches), ca. 1904. From Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste...
Possible reproduction. A rectangular print. Warm colors are used throughout. Varying shades of brown contrast with red. The dark background contrasts the two lighter figures in the foreground. The two figures appear to be...
Propriétaire, from Masques et Visages, par Gavarni, Sèrie nouvelle. Physionomies Parisiennes, plate 44. Printed by Lemercier in Paris and published by Paulin et Le Chevalier in 1857-1858. and Paul Gavarni (1804-1866). French...
Gustave Singier (1909-1984). Belgian/French artist. and This is a rectangular color lithograph. It is comprised majorly of different shades a values of blue. Accents of warm colors, including red, orange, and yellow are used...
Henri de Toulouse-Lautrec (1864-1901). French artist. and Orange ink on cream colored paper. The simplified image of a figure lying on a bed next to a nightstand is completed with organic and flowing linework. This is a...
This piece is the fifty-third of a two hundred series print collection by Gustave Singier, a Belgian painter and printmaker known for their non-figurative style. By the way the shapes and colors interact, one can see it has...